Few, if any, artists can have created a run of albums of the consistent quality achieved by Can during the early Seventies. Perhaps the most striking and influential of those records was 'Tago Mago', released in 1971 as a double album. I have seen it described by one or two critics as one of the greatest albums ever recorded, and to my ears this is no exaggeration of its merits. Funnily enough, I did not really 'get' the music of Can until comparatively recently. They seem to be one of those acts whose charms take a while to impress themselves on the listener. Once my defences were breached, however, I found it impossible not to immerse myself in their work, especially that run of records from the period 1971 to 1973. The type of material which jolts one out of any musical inertia and complacency which may have amassed.

Jun 12, 2013 Can-Tago Mago (40th Anniversary Edition)-2011 -Spoon With the band in full artistic flower and Suzuki's sometimes moody, sometimes frenetic speak/sing. Half Life 2 Substance Mod. El Blackberry 8300 Tiene Wifi. Autodesk 3ds Max 2011 Portable.

The astonishing thing about 'Tago Mago' is that in 2015 it still sounds so fresh, pristine and 'contemporary'. Some of the music of that era which also falls under the umbrella of 'experimental' has not aged anywhere as gracefully. This album, on the other hand, has an immediacy and a punch which are enduringly compulsive and enthralling, distinct in this respect even from the other ground-breaking music which was emerging from Germany at the same time. Despite being categorized by many as avant-garde, the outward format of the Can group was very much that of a conventional rock group. Vocalist, guitarist, bass player, keyboardist, drummer. The most immediately noticeable elements of their work, on this series of albums at least, are Jaki Liebezeit's astoundingly energetic drumming and the vocals of Damo Suzuki, who made his Can debut here.